Design with Pine: Get Inspiration from This Unique Room Divider

Now that the pandemic has shifted the way we interact with each other, especially indoors, room dividers are a hot topic. If you need to create some safe separation at your business, office or even at home, you might be looking for creative ways to divide up the space that also look nice.

Here’s a great example that can provide some inspiration for your DIY project (or, if you’re not that handy, show it to your contractor!). Architects Juan Alberto Andrade and Maria Jose Vascones have created a room within a room for technology services company Mendotel, allowing employees to safely host meetings and workspace within an open office. 

“The work dynamics were analysed, getting as a result an office and sales location with different levels of privacy,” said the architects.”With a reduced space, the reticulated shelf was partitioned with glass divisions from floor to ceiling, which provides solid privacy but allows visual permeability throughout the place, creating a new interior facade.”

Theoretically, as long as everyone is wearing masks, employees can gain an extra level of protection from visitors – and vice versa – by opening up these window-like partitions. The architects crafted the walls out of pine lumber, glass and oriented strand board, but you could adapt it with plywood, plexiglass or other materials you have handy or prefer to work with.

Instead of looking like it came straight out of a hospital or creating an atmosphere that’s less than welcoming, these pine partition walls have a graphic architectural look to them, adding something visually cool to the ambiance of the space.

Pine Project Inspiration: Complex Bird Houses by London Fieldworks

Part functional bird house, part sculpture: these complex creations by collaborative arts practice London Fieldworks create mini cityscapes high up in trees. Some have large arched doorways for a classical look, while others feature the archetypal birdhouse entrance holes preferred by many smaller species, like chickadees. 

The creators, including London Fieldworks founders Jo Joelson and Bruce Gilchrist, often build them as site-specific installations commenting on the changing architecture of the surrounding city. “Spontaneous City: Clerkenwell,” for example, is set in a tree at London’s St. James Church, Clerkenwell, which has early 12th-15th century architectural foundations and was once full of dense housing for the poor, but is now undergoing gentrification.

But the birdhouses are pretty delightful in their own right, just to look at and enjoy; there’s something organic about the way they almost seem to colonize the trees that host them, like moss or mycelium. Many of them are made of pine in shapes that are simple enough to mimic, so if you’re in need of a fun backyard project, you might be inspired to build a birdhouse city of your own.

DIY birdhouses are a great first project to work with Eastern White Pine. Check out a simple tutorial by Birds and Blooms, and get some tips for working with white pine from Woodcraft Magazine.

Why You Should Choose White Pine for Your Next Woodworking Project

Sculptors, millworkers and other craftspeople creating finely detailed projects in wood often choose Eastern White Pine over other species. Here’s why.

Among the most widely used species for construction in the United States, Eastern White Pine is unique because it’s a softwood with an extremely fine texture, but low resin content compared to other pines and softwoods – so you won’t have nearly the same problems with sticky messes on your workbench or tools. It has a straight grain and even texture, so sculpting tools push through it like butter. It also glues together well.

As it ages, Eastern White Pine takes on a prized pumpkin tone on the outside, but maintain a creamy white interior. That contrast gives wood carvings depth, even when you don’t stain them. 

Whether you’re building a custom mantelpiece, a birdhouse or a whittled sculpture, your best chance at success comes with practice, getting to know the wood and working with its characteristics. Choose high-grade (C-select) wood with minimal pin knots and uniform color and let the wood acclimatize in your home or shop for a few weeks. 

The wood’s soft nature means it can be crushed instead of sliced if your tools aren’t sharp, so keep an eye on them, and clean the blades or cutters as needed with a nylon bristle brush dipped in solvent. If you create a small unwanted dent in the work process, place a damp cloth over it and cover it with a hot iron for a few seconds to fluff up the fibers.

Check out some more tips for finishing Eastern White Pine, along with some of these cool creations:

3 Woodworking Craft Projects You Can Make with Eastern White Pine

Eastern White Pine Houses for Feathered & Furry Friends

Hyper Realistic Sculptures Carved from Eastern White Pine

Life-Sized Canoe Sculpture Made of a Solid Block of Eastern White Pine

Eastern White Pine Shines: Wunderwoods Custom Woodworking

Former Barn Raiser Makes Miniature Barns out of Eastern White Pine

Eastern White Pine miniature barn

For decades, John Ebersole built big, sturdy barns in the Amish tradition throughout central Pennsylvania, Maryland and Virginia. You might think that at 81, his barn-raising days would be behind him, but they’re not. They’ve just taken on a different form.

Now, instead of working with full-scale Eastern White Pine lumber, Ebersole has simply shrunken the proportions of his work. He still uses the same kinds of wood and joinery to craft miniature barns, showing off the beauty of the naked framework. They may be much smaller, but these barns are created piece-by-piece in a very similar way to the real thing.

Miniature barn detail

In a feature at Lancaster Online, Ebersole says he lays out all the posts, mark where the holes need to be, drills and then starts assembling. In some cases, where very thin pieces of wood are required for the joints, he uses toothpicks cut in half. Matchsticks stand in for rungs on ladders.

“When I first started building, my uncle, he was a retired carpenter … he taught me a lot of things,” Ebersole says, “and I appreciated that. He said, ‘Now, you keep a diary of all this work,’ and I did not do that. Now, sometimes, I wish I did.”

The construction process doesn’t completely change when building a model, Ebersole says. “If you’re off by a sixteenth of an inch up or down” when building a model, he says, “that really shows in a small scale like this.”

miniature pine barn ladder

Check out the rest of the piece, including lots more photos, at Lancaster Online.

Photos by Suzette Wenger

Philadelphia Exhibit Showcases Women in Woodworking

Erin Irber
Erin Irber

On display at the Center for Art in Wood in Philadelphia now through January 18, 2020, “Making a Seat at the Table: Women Transform Woodworking” showcases the work of 43 women artists from throughout North America. The first exhibition of its scope, this show shines a light on the skill, innovation and creative vision of women working in what remains a male-dominated industry.

The show includes examples of the artist’s finished work, but also demonstrations of their woodworking processes, which is pretty cool to see. The curators aim to highlight the unique perspectives women bring to the world of woodworking, each one colored by their own cultures and histories.

Gail Fridell
Gail Fridell

All over the country and in all kinds of genres, women are making fantastic work in wood. Understanding that the field has historically been dominated by males, this exhibition intends to showcase some of these women, to show the breadth of the current field of woodworking, and how these makers are both expanding the edges of the field and holding down the center. The exhibition will present a diversity of objects, made with a diversity of intentions—from small-batch products to one-off works, representing a range of technical approaches and scales.”

“Pieces included in this exhibition will reference an approach to woodworking that is rooted in questions of craft, use, the body, and domesticity.”

Kristina Madsen
Kristina Madsen

A book of the same title is due to be released when the exhibition is complete in 2020. If you can’t make it to the exhibition in person, you can find the websites for most of the woodworkers featured in the show at the WomenWoodworking.org website.

Technique Spotlight: Try Spray-No-Wipe Wood Stain for Even Results

spray no wipe

Wipe-on remains the most popular technique for staining wood, but depending on what kind of results you’re going for, it’s not always an ideal choice. When it comes to pine, a little extra care goes a long way to produce an even stain so you don’t end up with a blotchy look or the “grain reversal” effect, wherein the more porous parts of the pine soak up more stain.

Woodworking pros often recommend a few key steps to getting a great result, including stabilizing loose knots with epoxy, sanding the whole surface thoroughly with a block, “raising the grain” with a damp sponge and applying two coats of water-based conditioner prior to water-based dye. Finally, the surface is sealed with shellac and glazed if a little extra depth is desired.

There’s an easier way – it just requires some practice. As long as you don’t mind a slight reduction in the contrast of the grain in the finished product, the spray/no wipe stain technique can provide rich, even results with an even background coloring, bringing the color of the sapwood closer to that of the heartwood.

Bob Flexner, author of “Understanding Wood Finishing” and “Flexner on Finishing,” lays out the process at Woodshop News, including proper technique and troubleshooting. In a nutshell, you can thin any stain to make it sprayable, use a spray gun for optimal coverage and keep the spray pattern as consistent as you can, being extra careful with overlaps.

 

You can also see an example of how it’s done in the video above.

Get the whole tutorial here.